Post Roman Gallic Figural Amuletic Bone Carving
5th-7th century A.D. or later. A fishtail-shaped bone amulet or strap end displaying vertically arranged stylised figural panels: at the top, a central facing bust flanked by two further busts; a standing central figure with arms held skywards, a robed figure standing to each side holding his torso, one in a floor-length female garment and the other with one leg advancing showing trousers; an animal facing left below; panel with central vertical divide below, each populated with two busts, one pair facing left, the other facing right; ring-and-dot motifs with radiating lines below, possibly stylised sun motifs; two perforations to top edge for suspension; natural shrinkage crack, mostly evident to the reverse. Cf. Dalton, O.M., Catalogue of Early Christian Antiquities and Objects from the Christian East in the Department of British and Medieval Antiquities and Ethnography of the British Museum, London, 1901, item 291, for type; for similar carving style see the belt of Saint Caesarius, in D'Amato, R., Post Roman Kingdoms, Dark Ages Gaul and Britain, AD 450-800, Oxford, 2022, p.12. 23.4 grams, 12 cm (4 3/4 in.). Previously in the Alison Barker collection, a retired London barrister.From a Cambridge collection.Property of a North London gentleman. The standing animal may represent the lupa or she-wolf which nurtured Romulus and Remus in the mythical story of the founding of Rome. The Emperor Julian, later known as 'the Apostate', was responsible for turning his back on Christianity and promoting a return to traditional Roman values, which included veneration of 'Roma' and the founding legends.